13Jul/17 Artist: Randy Newman Album: Cars 3 (Original Score) Genre: Alternative Year: 2017 Size: ~ 376 mb Source: CD Format: FLAC (tracks +.cue) Quality: lossless Sample Rate: 44.1 kHz / 16 Bit Description: Randy Newman revealed in an interview with The Advertiser that he is set to compose the music for Pixar's upcoming animated feature Cars 3. Owen Wilson is expected to return to voice Lightning McQueen, while Larry the Cable Guy is expected to reprise his role as Mater. No plot details have been revealed yet, but the film is said to feature a tribute to Hayao Miyazaki's movie The Castle of Cagliostro. No director has been announced, but John Lasseter who directed the first two parts will be producing the project. Newman previously scored 2006's original cars film, while Michael Giacchino composed the music for the 2011 sequel. Cars 3 will be released on June 16, 2017 by Walt Disney Pictures. Newman will also be returning to score the studios' Toy Story 4.

The film is directed by John Lasseter who directed the first two installments & Josh Cooley and will feature the voices of Tom Hanks, Tim Allen, Joan Cusack, Bonnie Hunt, Don Rickles, Estelle Harris, Jodi Benson, Jeff Garlin, Annie Potts, Lori Alan and Laurie Metcalf. Rashida Jones and Will McCormack are writing the screenplay based on a story by Lasseter, Andrew Stanton, Pete Docter and Lee Unkrich. Galyn Susman is producing the animated feature. Newman previously scored all three previous Toy Story films. Toy Story 4 is set to be released on June 15, 2018. Tracklist: 01.

Storm's Winning Streak (01:22) 02. When All Your Friends Are Gone / Crash (03:44) 03. Doc's Painful Demise (01:25) 04.

Mater on the Horn (00:28) 05. Sistine Chapel on Wheels (01:05) 06.

Temple of Rust-eze (01:25) 07. A Career on a Wall / Electronic Suit (03:20) 08. Drip Pan (01:11) 09. McQueen's Wild Ride (02:05) 10. Biggest Brand in Racing (03:10) 11.

Fireball Beach (02:15) 12. Pull Over, Now!

Hoshwalon Ko Khabar Kya Lyrics Free Download there. Randy Newman – Cars 3 (Original Score) (2017) [CD FLAC. Randy Newman revealed.

/ Cruz's Racing Dreams (01:59) 13. 1.2% (01:21) 14. If This Track Could Talk (02:32) 15. Karma Software Torrent. Letters About You (02:02) 16. Smokey Starts Training / A Blaze of Glory (05:56) 17. Starting Dead Last (01:41) 18. Flashback & Pit Stop (03:32) 19.

Through the Pack (03:41) 20. Victory Lane (03:50) 21. The Fabulous Lightning McQueen (02:10) Download.

It's really sad how unhip and lame Randy Newman is perceived today by so many people.When his name is mentioned most people my age will think of pixar immediately, that or they will remember him being made fun of on family guy. Some older folks will probably recall 'Short People' and 'I love LA', two of his worst and most unrepresentative songs. Whats really sad is that I myself grew up with this warped perspective on Mr.Newman. My introduction to Randy Newman began with my father's 'Muppet Show Original Cast Album' which me and my sister listened to religiously.

It's a fantastic album all around, especially for children and one of our (as well as my fathers) favorites was a cut called 'Simon Smith and the Amazing Dancing Bear'. A song sung by scooter about delighting the socialites with his vaudevillian bear (played by fozzie). The song has a wonderful bouncy melody, a ragtime feel, and a big jazz break at the end of it. The lyrics are humorous and the concept is ridiculous. Little did i know i was getting my first taste of Randy Newman. A album worthy of a post of it's own. Of course within a year I had received a VHS of 'Toy Story'.

I loved the film and 'You Got a Friend in Me' became synonymous with my childhood. Then 'James and the Giant Peach' came into my life, once again scored by Randy.

I don't know when i made the connection to Randy, The Muppets, and Pixar but when I did I couldn't help but tie him to childhood nostalgia. I dismissed his work for a long time on the basis of it being novelty. That is until i became obsessed with Van Dyke Parks and heard his first album 'Song Cycle'. I had mixed feelings about the album, but the opening track (written by Randy) 'Vine Street' made a huge impression on me. The song has a clever gimmick featuring a song inside of a song, a strong showtune melody, and a huge dynamic range.

Then i dove into the catalog of Mr.Harry Nilsson, where i would find a little record called 'Nilsson Sings Newman'. That record made a tremendous impact on me. I quickly realized that i enjoyed this record more than any other nilsson record. I realized that this record had something special.

A certain melodic sensibility and a certain clever romantic quality to the lyrics. Obviously Randy Newman was what i was hooked on, albeit through the lens of Harry. I had to hear more of him.

So i purchased the first Rand Newman album, cleverly titled 'Randy Newman'. I remember how excited i was to hear it, the moment i pressed play began a semi-historic moment in my life. The first track 'Love Story' I already knew from 'Nilsson Sings Newman'. It begins very softly with just randy and his piano, but after the first line some light strings accompany him. The next line, the violins become much richer and louder. Then right after he mentions an accordion, we hear one (clever eh?).

Suddenly the chorus arrives with a loud ruckus of piano, drums, and strings. It sounds like a train for a moment and then back to the very soft quiet piano. My ears were in ecstasy, i could tell immediately that i had discovered something great. The dynamic range, the melody, and the crazy sounding arrangement blew me away.The songs that followed did not disappoint either. 'Bet No One Ever Hurt This Bad' is a mellow blues song that is carried by a guitar part that i have always assumed was played by James Burton. I love the bridge 'Since you've been away', Even though Randy's voice falls flat he manages to inject some power and soul into it. The his voice mushes up at the end ' I just can't stand to BE ALONE', it's an example of what i call reverse impact.

It's delivered in such a disappointing, underwhelming way that it sticks out and resonates with me. You know, reverse impact, like the original version of the album cover 'Living Without You' is a strong candidate for most melancholy song ever written. The song starts off sounding like a gentle gloomy rainy night, with sparse piano and light harpsichord. Suddenly it begins to sound more like a thunderstorm as a giant wash of strings and mandolin fill the mix.

Randy sounds as if he is in a fit of drunken rage as he wails 'It's so hard living without you' while extremely loud percussion emphasizes the singers feelings. All of a sudden almost complete silence as a very light piano starts the song back up. I absolutely love the arrangement of this album. Even though the back of the album states that Randy arranged it, I can't help but think that Van Dyke Parks (who is credited as co-producer) is the true architect of the album. The crazy, European, slightly creepy strings and large dynamic range are so textbook Van Dyke. I don't hear that same quality on any other Randy Newman album, although i will say that the horn arrangements sound more like Randy's. Perhaps Randy did arrange parts of the album, but most of the sounds scream Van Dyke Parks.

Arrangements like 'So Long Dad' could only be Van Dyke Parks. Again i love the grandness of the strings and the dichotomy between the loud eruptions and the quiet simmers of sound. I also love the editing between piano and strings in this song, it's a very harsh change every time the piano abruptly stops and is immediately replaced with rich cellos. I also think that Randy Newman might be the most clever lyricist i have ever heard. He sees the beauty in sadness, the subtle joy to being rejected or left alone.

Randy rarely writes 'happy' songs, He knows the world is filled with pain and regret but he also realizes that life is worth living in spite of it. In fact perhaps he wouldn't have it any other way? He also has a keen and perhaps slightly cynical sense of humor. 'I Think He's Hiding' is the first of several Randy Newman songs about god.

Probably the sparsest and slowest song on the album, nonetheless very enjoyable. Also interesting that it follows the grandest and most beautiful song on the album 'Lynda'. Randy has this odd tendency to title my favorite songs with the first name of a girl (much in the same way Lou reed's best songs all have ____ says in the title).

This song is absolute ear candy for me, and I can hear a vast range of human emotion in it. As a matter of fact the range of instruments emphasize that emotion. The accordion at the beginning sounds romantic, but then sounds a little confused and disoriented as cellos buzz in unison. Then a group of woodwinds show a sense of quiet peace or introversion. Soon the song begins to sound like a carnival, perhaps one that has gone out of control.

Randy sings of his deep affection for a girl who has stood him up and left him all alone at a dark and spooky peer. I feel such great emotion not only because of the lyrics, but the grand arrangement that perfectly conveys them musically. This my friends is why I love Randy Newman.

'Laughing Boy' follows with an equally loud and circus -esque arrangement. Fitting as the song is obviously about a clown. I love the show-tune quality to Randy's stuff, as far as im concerned he is the unknown master of the musical.

It's a wonder that he never wrote his own stage production until the 90's, not that he needed too with records as good as this. If there is mediocre material on this album then it has to be 'Cowboy' and 'The Beehive State'. 'Cowboy' was a slow grower for me, simply because its very boring compared to the rest of the album's roller coaster of melody. Nowadays though i kinda like it, and it's nice to have something a little more relaxed to pace out the record. 'The Beehive State' is a political number that is kinda bluesy. 'I Think It's Going to Rain Today' is one of the best known Newman compositions. It's an extremely odd and unique song, with a wonderful poetic quality to the lyrics.

It is slow, but has an slightly off melodic quality that i really like. I think it's obvious that when he says that human kindness if overflowing, he is implying the exact opposite, I find it very sad and touching. Finally you get the exciting grand finale, and what a finale it is. 'DAVY THE FAT BOY' begins with a apocalyptic swelling of horns, then a bust of joyous strings and xylophone, followed by a depressed, manic combination of cello and tuba. Abruptly the song becomes a simple bluesy piano number. It's almost comical how many chord changes we hear in the course of a min. How often the song completely changes character, as if Randy isn't sure what kind of song he wants to play.

I love that quality of slight schizophrenia, it's so exciting and satisfying. I also love when the strings play a gorgeous slow funeral march close to the end. A fitting way to close the whirlwind of sound that had proceeded it. I find it extremely interesting how little people talk about this album. I can only assume that it's because of it's extremely poor sales upon release.

People often go without mentioning it as if it's a collection of B-sides or something. I think the album is absolutely brilliant, my favorite Randy Newman record by far. To me it is obviously the record with the most personality, it's atmospheric, emotional, innovative, and groundbreaking. Perhaps that's why it's so obscure, it's just too weird and noncommercial for the public. All i know is that if i were in charge of the radio and music media, Van Dyke Parks would be more popular than Lady Gaga.